69 Commercial Street

69 Commercial Street, Provincetown (2011), by David W. Dunlap. 

Alice Brock, 69 Commercial Street, Provincetown (2011), by David W. Dunlap.Alice Brock Studio | R & R Place

Anyone of a Certain Age will almost certainly share the author’s quiet pleasure in knowing that Alice M. (Pelkey) Brock, the Alice of Alice’s Restaurant, wound up practicing her delightful art right here in Provincetown. She moved to Cape Cod in 1979 and declared three decades later that she was grateful for every “beautiful day in paradise” (Jane Roy Brown,  “After Alice’s Restaurants,” The Boston Globe24 February 2008). “Thank God for the National Seashore,” she said. “There’s still the beautiful light, and there are still a few crackpots left. I never want to go anywhere. People say, ‘Don’t you want to go away in the winter?’ The only place I would want to go would be a place like this, and I’m here now.”

Alice and Zina Pelkey, Provincetown (ND). Courtesy of Alice Brock. 

Poem by Harry Kemp. 69 Commercial Street, Provincetown (2011), by David W. Dunlap.In fact, she had been here before. Though Brock is closely associated in the popular mind with Stockbridge, Mass., her Provincetown bona fides are exceptional. Her parents were Mary Dubro Pelkey (±1909-2010) and Joseph F. Pelkey (1911-2010), who met here. As Brock herself notes, she was conceived here. And even though she was born in Brooklyn, her arrival was announced in the pages of The Advocate. Pelkey, a professional silkscreener and alumnus of the Cranbrook Academy of Art, had made a name for himself locally working with Peter Hunt, managing the Christmas Tree Shop at 443-445 Commercial Street. Pelkey also ran the Art Mart on a wharf near the center of town, 251-253 Commercial, known variously as Jot Small’s, Heinrich Pfeiffer’s or Charley Cook’s. And he was an Advocate contributor.

The Pelkey family — father, mother, two girls and one dog — spent summers in Provincetown, living in a big room behind the Christmas Tree Shop. There is a charming picture of Alice and her sister, Zina, seated outside Hunt’s Peasant Village complex at 432 Commercial Street. Harry Kemp dedicated a poem to Pelkey in 1944; one of his better ones, in fact. “Last Word,” it is titled.

Alice Brock, left; Arlo Guthrie, upper right. Courtesy of Alice Brock.

Brock’s name entered the national lexicon in 1967 with the release of Arlo Guthrie’s Alice’s Restaurant Massacree. “Alice’s Restaurant is not the name of the restaurant, that’s just the name of the song,” Guthrie said at the beginning of an 18-minute talking blues ballad about his arrest for illegally dumping debris from Ray and Alice Brock’s home after discovering that the Stockbridge town dump was closed on Thanksgiving. The jauntily meandering song is, by and by, a lampoon of the police and the Selective Service System and the stupidity of officialdom in general; popular enough in its time that it inspired a movie, Alice’s Restaurant (1969), in which Pat Quinn played Alice. The song is still broadcast on radio stations around the country as a Thanksgiving Day anthem.

69 Commercial Street, Provincetown (2012), by David W. Dunlap.Brock got out of the restaurant business long ago. With Davis E. Gates, she purchased 69 Commercial Street in 1983 from Francis P. and Elizabeth A. Kelley. The house was constructed around 1860 and was the property of William A. Couilliard at the turn of the 20th century, when it was denominated 52 Commercial Street. Adeline and Emil Souda acquired it from Couilliard in 1942. Adolphe Robicheau, who acquired it from Marie Souda in 1962, undertook some astonishing changes, many of which Brock inherited.

Robicheau, a ballet dancer and instructor from Nova Scotia, operated 69 Commercial as a boarding house. He also transformed it into a dramatic expression of Catholic piety, drawing on his talents as a set painter for the Boston Ballet. He built a private chapel on the third floor that was consecrated by the bishop of Fall River, Brock said. He installed a pipe organ, an altar, stations of the cross, a baptismal font, a prie-dieu and icons. A lot of them. “The whole house was filled with icons,” Brock recalled, “including martyrs with their eyes gouged out.” She removed almost everything but a stained-glass window.

69 Commercial Street, Provincetown (2011), by David W. Dunlap.Brock divided the property into condominium interests in 2007 and sold the bottom part of the house to Richard Allan O’Reagan (b 1963). He is one of the Rs in “R & R Place,” as the sign says over the side entrance to his unit. The other R  is Richard Allen Hanson II, whom O’Reagan married in 2011.

No. 69 is now the Alice Brock Studio, where Brock sells her artwork. She is the author or  illustrator — or both — of Mooses Come Walking, written with Guthrie (Chronicle Books, 2004), How to Massage Your Cat (Chronicle Books, 2003), My Life as a Restaurant (Overlook, 1976) and Alice’s Restaurant Cookbook (Random House, 1969).

“I never formally studied art or took lessons, but all my life I have made things, drawn pictures and illustrated stories,” Brock said in an artist’s statement. “Being an artist was never a career choice. It’s my survival technique. Until recently, I rarely showed my work in public”

“I am a serial painter. One is never enough. There are so many possibilities. I want to explore them all. I enjoy repeating images in various configurations. The dynamics of relationships intrigues me. In my mind, objects have personalities, shapes can convey emotions and every carrot has a story.

“One of my favorite materials is the common beach stone. I draw on them and then I put them back on the beach. I also put them along the bike paths, behind the baked beans in the supermarket, on fence posts and in flower pots. And I sell them.”

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

Found by serendipity (when not purchased), the stones have wound up being placed in or carried to the Museum of Modern Art, the Tate, the Louvre and the Hermitage; the top of Denali and the bottom of the Grand Canyon; and beaches in New Zealand and Venezuela. One was tossed over the Great Wall of China. I like the idea that Alice Brock found her way back home to Provincetown after many years of journeying and now dispatches little bits of Provincetown — and herself — on journeys of their own.

Historic District SurveyAssessor’s Online Database, Unit 1 • Assessor’s Online Database, Unit 2 ¶ Revised 2012-12-16


 

"New Arrivals" notice in The Advocate, 13 March 1941.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2008), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

Alice Brock Studio.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

"How to Massage Your Cat," by Alice M. Brock (Chronicle Books, 2003).

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

Tableau by Susan Baker. 69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

 

69 Commercial Street, Provincetown (2011), by David W. Dunlap.

10 thoughts on “69 Commercial Street

  1. What a joy. I knew Joe and Mary and I know Alice and Zena and Joe’s widow, Pam. I live in Lenox but go to the Cape for Thanksgiving and have gone to see Alice most times. My association with this family spans decades. I could go on and on, but just allow me say thank you for this fulsome piece.

    Many thanks for all the memories this brought back to me.

  2. I stayed in the downstairs apartment at 69 Commercial Street for many summers. My partner and I always looked forward to our stay with Alice. Although I don’t get to Ptown very often now, I always manage to visit with Alice whenever I am in town. I have fond memories of Alice and miss our yearly visits. It was interesting to read the history of 69 Commercial Street. I learned many interesting facts about the house. Now, as I travel around the world, I always try to remember Alice with a little note or a post card. She is a one and only! I wish her my very best.

  3. I was attending a sale in Dorset Vermont several years ago and came across this painting which I fell in love with .It was a bit pricey but worth it.I was wondering if you have any information on it? It was painted in 7/72 with Alice Pelkey signature on the right bottom corner.It’s a lovely painting of appletrees in bloom very beautiful.If you have any information on this painting please contact me @ 315 458_6310 My name is katie Thanks

  4. Adolphe was my Dad’s first cousin and they grew up together in Meteghan. Francis Kelley was his nephew and was son of his sister Mae. I visited the chapel when I was a teenager…..nice to read what has happened to it all!

  5. Adolphe was my Dad’s first cousin and they grew up together in Meteghan. Francis Kelley was his nephew and was son of his sister Mae. I visited the chapel when I was a teenager…..nice to read what has happened to it all!

  6. So nice to read about Adolphe. I think I have a painting of his, signed by him. It would be nice to be able to validate it. Renette LeBlanc Cormier of Little Brook, NS

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