At the Race Run Sporting Center, housed in this modest structure (c1940), “you could rent a bike, fix a flat, buy a hook and the bait to put on it, as well as get advice on where the bass and blues were running on any given day,” Susan Leonard said. The proprietors were Joseph Smith and his wife, Marilyn Smith. More recently, before moving to the old Eastern School, ArtStrand was here. More pictures and history »
Within this unremarkable roadside building (1972) is one of the most respected and pedigreed showcases in town: the Berta Walker Gallery. Berta Walker was the founding director of the Graham Modern Gallery in New York. Her father, Hudson D. Walker, was an influential art patron and one of the forces behind the Fine Arts Work Center. Her great-grandfather Thomas B. Walker was the original benefactor of the Walker Art Gallery in Minneapolis. Her gallery, which opened in 1989, specializes in Provincetown artists. Walker currently represents Donald Beal; Varujan Boghosian; Romolo Del Deo and his father, Salvatore Del Deo; Elspeth Halvorsen; Robert Henry and his wife, Selena Trieff; Brenda Horowitz; Penelope Jencks; John “Jack” Kearney; Anne MacAdam; Erna Partoll; Sky Power; Blair Resika and her husband, Paul Resika; and Peter Watts; as well as the estates of Hans Hofmann, Herman Maril, Nancy Whorf and others.
A synergy you’d only find in P’town: tennis club and art gallery. They are both housed in a structure built by Gladys Miller Rokos and used by a tennis club in which Dr. Percival J. Eaton figured; then by the East End Tennis Club, founded and owned by the commercial artist Lauren Cook; and then, beginning in 1950, by the Provincetown Yacht and Tennis Club, also founded by Cook. It has five Har-Tru clay courts and two hard courts. But no more yachts. It’s just the Provincetown Tennis Club. Picture essay and more history »
Safe bet: if you came across this wild, woolly, in-your-face sculpture garden and were asked which of the town’s shopkeepers made his home here, you would probably guess, “It must be the guy who runs the wild, woolly, in-your-face Shop Therapy.” And you would be right. This is indeed where Ronny Hazel lives. Built around 1870, 4 Center Street served originally as the parsonage for the Center Methodist Episcopal Church across the street (now the Public Library). Hazel bought the property in 1991. “The garden is now full of sculptures so striking that some tourists think it’s an art museum,” Boston Spirit said in 2008. “And it kind of is.” Hazel told The Boston Globe in 2008 that he’s counted up to 20 visitors at a time gathered outside. “‘Oh, look at that, honey! Oh, did you see that?’ Not just one voice, like 10 voices. It’s so cool. You just want to tape it.” More pictures and history»
An important Federal-style building, easy to overlook. This was the property of Bessie D. Freeman at the turn of the 20th century, when the building was denominated 191 Commercial Street. City Video was a longtime tenant. The current tenants are A Gallery, showing the works of Eileen Counihan, Steve Desroches, John Dimestico, Alexandre Jazédé, Olga Manosalvas, Adam Peck, Marian Peck, Christopher Sousa and Harry Wicks. Downstairs is FK Full Kit Gear Shop, “Serious Gear for Serious Men.” Serious about what is obvious enough. More history»
Built around 1920 in the Colonial Revival style as a Ford Motor Company garage, 200 Commercial Street is a landmark in the development of the town’s art scene after World War II. In 1949, Weldon Kees, a painter, poet, art critic, jazz musician, playwright and filmmaker, organized Forum 49, an avant-garde series of talks and displays. One of the first programs centered on the question “What is an artist?” More pictures and history»